Cultural influence

During the Cold War, the Soviet Union, the People's Republic of China and the United States supplied arms and technical knowledge to numerous client-state countries and rebel forces. While the United States used the relatively expensive M-14 battle rifle and M16 assault rifle during this time, it generally supplied older surplus weapons to its allies. The low production and materials costs of the AK-47 meant that the Soviet Union could produce and supply client states with this rifle instead of sending surplus munitions. As a result, the Cold War saw the mass export, sometimes free of charge, of AK-47s by the Soviet Union and Communist China to pro-communist countries and groups such as the Nicaraguan Sandinistas and Viet Cong. The AK design was spread to over 55 national armies and dozens of paramilitary groups.

The proliferation of this weapon is reflected by more than just numbers. The AK is included in the flag of Mozambique and its coat of arms, an acknowledgement that the country's leaders gained power in large part through the effective use of their AK-47s.^[32] It is also found in the coat of arms of Zimbabwe and East Timor, the revolution era coat of arms of Burkina Faso, the flag of Hezbollah, and the logo of the Iranian Islamic Revolutionary Guards Corps. Western cultures, especially the United States, have seen the AK-47 most often in the hands of nations and groups the United States condemns; first the Soviet Army, then its Communist allies during the Korean and Vietnam Wars. During the 1980s, the Soviet Union became the principal arms dealer to countries embargoed by the United States, including many Middle Eastern nations such as Syria, Libya and Iran, who were willing to ally with the Soviet Union against U.S. interests. After the fall of the Soviet Union, AK-47s were sold both openly and on the black market to any group with cash, including drug cartels and dictatorial states, and most recently they have been seen in the hands of extremist factions such as the Taliban and Al-Qaida in Afghanistan and Iraq and even FARC guerrillas in Colombia. The AK-47 has thus garnered a reputation in Western nations as a symbol of anti-Americanism, and has gained a stereotypical role as the weapon of the enemy. In the United States, movie makers often arm criminals, gang members and terrorist characters with AKs.

In Mexico, the weapon is known as "Cuerno de Chivo" and is commonly asociated with Drugs Cartels and Local Mafias. Many mexicans folklore groups named it with their songs.

In 2006, Colombian musician and peace activist César López devised the escopetarra, an AK converted into a guitar. One sold for US$17,000 in a fundraiser held to benefit the victims of anti-personnel mines, while another was exhibited at the United Nations' Conference on Disarmament.^[33]

Kalashnikov Museum

The Kalashnikov Museum (also called the AK-47 Museum) opened on November 4, 2004 in Izhevsk, a city in the Ural Mountains of Russia. The museum chronicles the biography of General Kalashnikov, from his childhood to proletarian hero. The Museum Complex of Small Arms of M. T. Kalashnikov, a series of halls and multimedia exhibitions devoted to the AK-47 assault rifle and its offspring. The museum complex has been drawing on average 10,000 visitors a month. The museum serves as Russia's monument to an infantry weapon and to the workers who have made it for 61 years.

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It presents the guns and their history with civic pride and a revived sense of national confidence. Think of Izhesvk as the Detroit of Slavic small arms. The exhibitions, ranging from static displays of weapons to plasma-screen video presentations showing the guns' use in recent decades, reflect a laborer's affection for what has long flowed from nearby foundries and assembly lines. Much of the material is also viewed through the life of Gen. Mikhail T. Kalashnikov, the man credited with designing the weapon in secret trials in 1947, and who still lives a few blocks away.[34]

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"We emphasize the peaceful side of this story," said Nadezhda Vechtomova, the museum director. "We are trying to separate the weapon as a weapon of murder from the people who are producing it and to tell its history in our country."